The Grid. (2017-2019)

Digital reconstruction comprising performance documentation recorded in keyframe still photographs. Dimensions variable.

“The space of the crossing, the gaps between positions on the grid, falls into a theoretical no-body's land” (Brian Massumi)

An experiential intervention for lived abstraction, using the digital camera as a means of embodying the threshold of action and image, endless becomings of movement, and the potential of flux. The self resists the imposed framed positioning of identification, forming and reforming the self in motion. The body is present but resists its depiction as a means of objectification, while gesturing beyond the politics of representation.