Inscription of tomorrow (2018)

Moving-image assemblage: single-channel video projection, monitor, red-painted textile and wood, prism, mirror. Duration: 3:50 min, loop.

This work speculatively deconstructs the inherently fragmented memory and transmission of cultural practices. Using performance, video, sculpture, and digital processing, It explores aesthetics of excess, visual saturation, and reinterpretation through a sculptural video assemblage.

The video, drawn from personal footage of a familial gathering—the communal preparation of henna in a garden on a summer night—captures intimate, dancing hands, each engaged in a collaborative act of making. The traditional pre-wedding ritual, resonant from my childhood memories, is reimagined through visual subversion, interweaving past events with contemporary articulations of identity, ritual, and belonging.