top of page

Nava Messas Waxman is an interdisciplinary artist and educator based in Toronto, Canada, of Moroccan-Judeo Amazigh descent. Her practice spans performance, drawing, photography, moving image, and installation, examining the intersections of body, technology, and time through a lens shaped by diasporic subjectivity.
Rooted in lived experiences of cultural hybridity and migration, her work explores memory, identity, archives, and the body as a repertoire where gesture and ritual converge. Throughout her practice, movement is both a philosophical inquiry and an embodied presence.
She received her MFA in Visual Arts from York University, where she is currently a doctoral candidate in the School of the Arts, Media, Performance & Design. Her work has been exhibited in solo and group exhibitions, including the Varley Art Gallery, Scotiabank Nuit Blanche Toronto, JulieM Gallery, and The Petah Tikva Museum of Art. Nava is the recipient of awards and grants from the Social Sciences and Humanities Research Council of Canada (SSHRC), the Ontario Arts Council, and the Canada Council for the Arts.

​​

  Education  

                                                                                 

  • Ph.D. Visual Art, York University, Toronto (2022-present)

  • MFA in Visual Arts, School of the Arts, Media, Performance & Design, York University, Toronto (2020)

  • Toronto School of Art (2004 - 2006)

  • B.A. Social Sciences & Communication, Open University (1999)

 

  Grants | Awards  

                                                                     

  • Ontario Art Council - Dance creation, in collaboration with Naish Wang (2026)

  • Ontario Graduate Scholarship (2023-2026)

  • Master’s Thesis Nomination, Graduate Program, York University Visual Arts & Art History (2020)

  • The Joseph Armand Bombardier Canada Graduate Scholarship - Master's SSHRC  (2019)

  • Ontario Graduate Scholarship recipient (2019)

  • CIBC Graduate Research Grant - nomination (2020)

  • Ontario Arts Council - Exhibition Assistance Grant (2018)

  • Ontario Arts Council - Exhibition Assistance Grant (2017)

  • Canada Council for the Arts - Travel Grant Recipient (2016)

​
 

Residency

                                                                        

  • Artist in Residence, Tao Hua Tan Residency, Anhui, China (2026)

  • Las Nubes Environmental and Urban Change, Effective Intercultural Communication, Costa Rica (2025)

  • Citadel Dance, Performative research, in collaboration with Naishi Wang (2025)

  • PlaySpace art & research Residency, The Laboratory for Artistic Intelligence, Toronto (2024)

  • Kunstbereit e. V. Creation Doors Choreographers (2021)

  • Lilach Pnina Livne Dance Institute. De Spirit - Performative research (2021)

  • The Creative Native Project - Mentorship program, The Center for Indigenous Research Creation (2020)

  • Luminato & IL Laboratory What Art Has to Offer Immigration, Mentorship program for newcomers. Toronto (2021)


 

Selected solo exhibition                                                                                   

 

  • Inscribed Body, Assemblies of gesture, Gales Gallery, Toronto (2025)

  • Variations on Broken Lines, Lamashu Artspace, Toronto (2023)

  • Nuit Blanche Toronto, Public installation at North York Library Centre, second iteration Variations on Broken Lines, Toronto (2022)

  • Shared View, Curated by Claudia Arana for HOME|LAND, Artworx TO, Toronto (2022)

  • Variations on Broken Lines, First iteration. MFA Research-creation project, Gales Gallery, Toronto (2020) 

  • Choreographed Marks. curated by Anik Glaude, The Varley Art Gallery of Markham, Canada (2019)

  • Knowing river, body notes,  Sheldon Rose Gallery, Toronto (2018). 

  • Green Polyphonies. curated by Iberina Raquel Vilhena, Walnut Contemporary, Toronto (2017)

  • Untitled Wall. Wallspace Gallery, Ottawa (2015) 

  • Personifications, Curated by Rocco Barriuso, JulieM Gallery, Toronto (2014)

  • Rituals. Curated by Patricia Barr, Wallspace Gallery Ottawa (2013) 

  • Traces: Encaustic works. JulieM Gallery, Toronto (2013)

  • Anong Beam & Nava Messas Waxman: Connections within, Two-women solo exhibition, Earls Court Gallery (2011)

  • Reveries: encaustic works, Engine Gallery, Hamilton (2009)

  • Encaustic drawings, Blue Dot Gallery, Toronto (2007)

 

 

Selected group exhibition   

                                                                                    

  • Body Electric Group Exhibition & Live Performance, Curated by n::d Studio Lab, CSV Toronto (2025)

  • flashDRIVE: Digital Arts Fundraiser Exhibition, curated by Miriam Arbus, InterAccess, Toronto (2025)

  • Disassociation: The unseen within, Group exhibition, curated by Hannah Rothchild, Prescop Gallery (2025) 

  • Speculative Meteorology: Weather Channeled, curated by Aftab Mirzaei, SPG Gallery, Toronto (2025)

  • Tentacular Futures. curated by Marissa Largo & Rebecca Caines. The gallery of Markham, YorkU School of the Arts, Media, Performance & Design (2024)

  • Entangled Dimensions: Art in the Age of Neural Media, curated by Ryan Kelln, The Illuminarium Toronto (2024)

  • eNmotion, Experimental Transmedia Installation, Transmedia Lab YorkU (2023) 

  • I want to be new again, Digital performance that explores the spiritual and sacred ritualistic acts with algorithms, crafting possible poetic meanings of praying through sensorial embodied movement (2022)

  • A Visual Music Exquisite Corpse, Telematic performance installation, collaborative performance with  n::D Studio Lab, curated by Dr. Mark-David Hosale (2023)

  • Gender and the Lens |||, Feminist Photography Network, curated by Robyn Cummings, Clair Samuel & Liz Kiriko (2022)

  • Crossing Time Zone, International group exhibition, Lu Xun Academy of Fine Arts & Sino-Canada Alliance of Arts and Culture (2022)

  • Mobius: open work. LaMashu ArtSpace, Toronto, Live performance and performative installation, in collaboration with Alireza Keymanesh and Maria Kravchenko (2023)

  • Blue Gestures. In collaboration with Ronley Teper & Tim Posgate, Orchard Lyceum Gallery, Toronto (2022)

  • Terrapolis, a series of live performance events, Supernova, Toronto. In collaboration with Ilze Briede & Marcus Gordon. Supernova, Toronto (2021)

  • MMXII* MFA group exhibition, Gales Gallery, York University (2021)

  • Waves, group exhibition, curated by Anik Glaude, The Varley Art Gallery of Markham (2020)

  • Open Work, Sebastian Ureamuno, Cinzia Cavalieri, Maria Kravchenko, Mahsa Alikhani, Gales Gallery York University, Toronto (2019)

  • Mobiux. On-going Intermedial performance project, comprising performance events, collaboration, workshop, film and installation (2019-2021) 

  • Knowing River, body Notes, Live installation event, in collaboration with Lo Bil, Ronley Teper, David Jager & Tim Postage Sheldon Rose Gallery, Toronto (2018)

  • Strings. Live performance in collaboration with Tomoki Takeuchi and Paris Zhang. Toronto (2017)

  • Elements of Chance, Collaborative durational performance, The 4th International Draw to Perform Symposium, Crows Nest Gallery, London, UK (2016)

  • Sonix,  live encaustic inscriptions, in collaboration with Ram Samocha, Crows Nest Gallery, London UK (2016)

  • Group exhibition, Body - A Non-Figurative” Var Gallery Wisconsin (2016)

  • Bird has a Face for You, Live performance, in collaboration with Adaya Godlevsky, & Uri Levinson, Alfred Institute (2016)

  • Inscriptions,  Nava M Waxman & Adaya Godlevsky. The Petah Tikva Museum of Art, Israel. (2015)

  • Mobius. Live drawing performance, Nava M Waxman & Ram Samocha, Draw to Perform Symposium, OCADU, Toronto. (2015)

  • The Verge Art Fair Miami,  Paper works (2012)

  • Contemporary Women Artists XVI, Women’s Caucus for Art, St. Louis USA (2011)

  • Consequential Fusion, encaustic work, group exhibition, Art Centre, Morro Bay, CA (2011)

  • Light On, Group exhibition, Hovinkartano Arts and Cultural Centre, Hauho, Finland (2010)

  • Insomnia, Group exhibition, part of TO Nuit Blanche, ReadHead Gallery, Toronto (2009)

  • The Legacy of the Circle, Group exhibition, McKay Art Centre, Markham (2007)


Affiliation 

                                                                      

  • Graduate research member, the n::D Studio Lab, School of the Arts, Media, Performance & Design, York University, Toronto. (2022-present)

  • Graduate Research associate, The Sensorium Centre for Digital Arts and Technology, School of the Arts, Media (Since 2019)

  • Artistic researcher at the laboratory for Artistic Intelligence, Toronto, Canada (since 2020)

  • Committee member, York University Markham Campus hoarding exhibit unveiling ceremony (2022)

  • York University Speaking Series committee—The Department of Visual Art & Art History (2025-2026)


 

Teaching experience  

 

  • 2018-present.  Teaching drawing and photographic experience in the Visual Art department at York University in Toronto, Canada

  • Conferences | Academic presentation | Guest speaker

​


Conferences | Academic presentation | Guest speaker

​

  • Bordering Practices: Aesthetic Gestures Across Land, Body, and Digital Space Co-panel chair, the 2025 Universities Art Association of Canada UAAC conference

  • Sensorium Web of Connection Symposium. Co-presenting Embodied Movement: Collaborative processes with Sebastian Oreamuno & Arpita Bajpeyi (2024)

  • Peace Statue: A Tribute. Performative event,  co-organized with Hong Kal, York Centre for Asian Research & The Sensorium Centre for Digital Art and Technology (2024)

  • Guest Artist talk, The Department of Visual Art, York University 

  • Variations on Broken Lines. Paper presented at The Resource Centre for Public Sociology, York University. On Liminality (2024)

  • Quasimodo: The 26th Generative Art International Conference (GA2023) the Borrominian Hall of the Biblioteca Vallicelliana in Rome (2023)

  • Archival Worldmaking, Experimental performative paper presentation, presented at the Graduate course Making Possible World (2023)  

  • Rites of Passage in Contemporary Liminality. Paper presented at Motherboard: OCADU CADN Conference (2021)

  • From Dematerialization to Re-materialization: Reconstructing Gestures in the Archive, presented at Concordia University AHGSA Conference PRACTICE / PRATIQUE (2020)

  • From Dematerialization to Re-materialization: Reconstructing Gestures in the Archive, presented at  Queen’s University. Hindsight 20/20: XIX Context & Meaning The Graduate Visual Culture (2020)

  • Nava Messas Waxman. Artist Lecture. Inscribing Presence, Kibbutzim College of Arts, Cinema & Media Studies (2022)

  • Diasporic Gestures: Research paper, presented at the Graduate Summer Institute: Border Forms: (Re)drawing Lines, YorkU (2023)

  • Nava Messas Waxman. Artist lecture. Palimpsest & Performance as UNmaking -Queen's University and the  MacLaren Art Centre (2023)


 

Reviews | Articles | publication   

                                                                                    

  • Field Guide to Speculative Meteorology. Publication. The n-D::StudioLab (2024) 

  • Del Fresno-Guillem, Ruth.  Active Preventive Conservations: The creation of Strategies of Prevention. Grupo (2021)

  • Price, A. Jill, Unsettling to Unmaking: A Critical Methodology to Help Unmake Anthropocenic Perspectives, Processes and Presentations of Land (2023)

  • Karasch, Agnieszka,  Reciprocal Drawing: Bodies’ Co-dependence and Direct Contact in Performance Drawing, Aalto ARTS Books, Aalto University (2023)

  • Abu Sarari, Nassim, The Body of Art in the Age of Digital Everything  (2022)

  • YesTV Season1|Episode 8. Directed by Igal Hecht. Pathways of Creation. Nava Messas- Waxman & Ho Che Anderson, Documentary film (2021)

  •  Small Things Brought Together. Nava Messas Waxman & Robyn Love. Published Interview  (2021)

  • Waymark, MFA Visual Art Digital Publication, York University (2020).

  • Gateways to Drawing: A Complete Guide Thames & Hudson. Gardner. Stephan, Elements of Chance (2016)

  • The Dialogist Review, Performance for the Camera (2016)

  • Traces: Poems to Paintings, By Nava M. Waxman & James Wagner, Ceratonia Siliqua Press (2015)

© Nava Messas-Waxman 2025

bottom of page